Dancing with David Bowie under the Serious Moonlight – Bright Skylark Literary Productions

David Bowie on 1983 set of LET’S DANCE video with dancers Terry Roberts (left) and Joelene King (center). (Photo from bowiedownunder.com originally published in 1983 Serious Moonlight Tour booklet)

Dance is a political strategy that says “yes” to life as opposed to the corporate and terroristic manipulations that so eagerly promote polarization and glorify violent entries into death. Simply put, that is one important reason David Bowie’s 1983 Let’s Dance video (directed by David Mallet) is one of my all-time favorites. Through its subtle acknowledgment of the plight of Aboriginals in Australia, the late great Bowie Jan 8, 1947 – Jan 10, 2016) made two very important statements:

The first statement is very similar to that made by Leonardo DiCaprio when accepting a 2016 Golden Globe Award for his performance in the movie Revenant. It is namely this: the lives of indigenous and “minority” people are something much more than hindrances to a given company’s or government’s preferred agenda. As such, colonizing them (something which can be done in many different ways: economically, politically, socially, etc) or marginalizing the same is not the “acceptable option” so many seem to believe it is.

For the complete post with photos and videos please click the Source: Dancing with David Bowie under the Serious Moonlight – Bright Skylark Literary Productions

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Memory-Song Painted Gold: for The Blue Yusef Lateef (1920-2013) Part 1 – Bright Skylark Literary Productions

Yusef Lateef Gold digital art graphic by Postered Poetics derived from original Atlantic Recordings album cover.

When the soul looks out of its body, it should see only beauty in its path. These are the sights we must hold in mind, in order to move to a higher place.” Yusef Lateef, from “A Syllogism”

 How could I have known, as a nine-year-old child growing up in Savannah’s Hitch Village project, that Yusef Lateef was speaking light in the form of music directly to my soul through his saxophone and flute when I first heard his masterpiece of an album The Blue Yusef Lateef? I could not have imagined that years later, while seeking the timbres of my own creative voice out in the world, his would find me again. It happened this time as I sat in the window of a hotel in San Francisco’s Tenderloin District, the haunting blues-heavy moans of “Juba Juba” swelling the room as the vision of a young black man looking up at stars through a jail cell hole-in-the-wall unfolded before me.

I do not recall what prompted my recollection of the song. It may have been because I was alone in the city and just as uncertain about my ability to survive there as I was certain I was not yet ready to leave. The more I heard it, the more the image of the boy in the jail cell came into focus. His thoughts became my thoughts. They communicated to me that his name was Juba and he was waiting for his dead father’s friend Elijah to come get him.

Between Juba’s words and the music that flowed with them, it was impossible to resist picking up a pen and notebook. Maybe I would create some lyrics to go with the moon-shredding laments on the track (provided I would later learn by the group known as The Sweet Inspirations). Once I started writing, I did not stop until the story later published as “I Can Hear Juba Moan,” in the book I Made My Boy Out of Poetry, was completed.

For the full post by Aberjhani with Yusef Lateef music video please click the link: Memory-Song Painted Gold: for The Blue Yusef Lateef (1920-2013) Part 1 – Bright Skylark Literary Productions.

Looking at the World through Michael Jackson’s Left Eye (Part 1 of 4)

The late great Michael Jackson is the subject of the highly-anticipated forthcoming book, "Man in the Music," by Joseph Vogel.

 

 

 

 

 

 

 

Some philosophies claim that the eyes symbolize such qualities as the gift of prophecy, intelligence, and conscious awareness. In her Chakra Bible, Patricia Mercier describes the eye “chakras,” or centers of spiritual energy, as those which “feed the brain but can develop to detect extra-sensory information or send healing to others.”

That’s a pretty heavy thought. But as heavy as it is, it’s not all that difficult to entertain such luminous possibilities when considering the life and legacy of Michael Joseph Jackson.  Why? Because the life he challenged himself to live turned so many dreamed theories––both his own and that of others–– into material reality. It happened while he lived until his death on June 25, 2009 and it is happening now in the year of what would have been his fifty-third birthday.

To read the full article by Abejhani please click this link:
http://www.authorsden.com/visit/viewarticle.asp?id=63535&AuthorID=25279

 

 

 

Michael Jackson and summertime from this point on – by Aberjhani

A 52nd birthday note for the "King of Pop"

Please Click the Following link:

Michael Jackson and summertime from this point on – National African-American Art | Examiner.com.

Harlem Renaissance dialogues (part 7): The Renaissance and contemporary issues

Harlem Renaissance dialogues (part 7): The Renaissance and contemporary issues

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