Songs from the Black Skylark zPed Music Player Pump up the Volume 

Songs from the Black Skylark zPed Music Player mythopoeic speculative fiction novel by Aberjhani.

There is some basis for describing Songs from the Black Skylark zPed Music Player as a southern Gothic rock and roll murder mystery. Yet there may be more reasons to consider it a mythopoeic love story in the mode of classic tales where heroes, and anti-heroes, attempt to challenge powers far greater than their own for the sake of reclaiming love stolen by tragedy.

The theme is also true of stories from fact-based history (including current history) wherein members of families torn apart by war or slavery have found themselves battling overwhelming odds and risking what remains of their lives to reconnect with their loved ones.

This is currently a free edition of the mythopoeic paranormal novel recounting the attempts of one Danny Blue to come to terms with a series of unusual events in his life. You can check out the book page and link to the streaming text here: Songs from the Black Skylark zPed Music Player (book) by Aberjhani on AuthorsDen

Dancing with David Bowie under the Serious Moonlight – Bright Skylark Literary Productions

David Bowie on 1983 set of LET’S DANCE video with dancers Terry Roberts (left) and Joelene King (center). (Photo from bowiedownunder.com originally published in 1983 Serious Moonlight Tour booklet)

Dance is a political strategy that says “yes” to life as opposed to the corporate and terroristic manipulations that so eagerly promote polarization and glorify violent entries into death. Simply put, that is one important reason David Bowie’s 1983 Let’s Dance video (directed by David Mallet) is one of my all-time favorites. Through its subtle acknowledgment of the plight of Aboriginals in Australia, the late great Bowie Jan 8, 1947 – Jan 10, 2016) made two very important statements:

The first statement is very similar to that made by Leonardo DiCaprio when accepting a 2016 Golden Globe Award for his performance in the movie Revenant. It is namely this: the lives of indigenous and “minority” people are something much more than hindrances to a given company’s or government’s preferred agenda. As such, colonizing them (something which can be done in many different ways: economically, politically, socially, etc) or marginalizing the same is not the “acceptable option” so many seem to believe it is.

For the complete post with photos and videos please click the Source: Dancing with David Bowie under the Serious Moonlight – Bright Skylark Literary Productions

The 2015 Bid for Power and History in Savannah (Georgia, USA) – Bright Skylark Literary Productions

There’s a lot at stake when it comes to casting a vote for the mayor of Georgia’s first city. Candidates not only stand to make history but to shape it some very powerful ways. (photo of Edna B. Jackson courtesy of Diva Magazine)

Journalist Patricia C. Stumb, in a 1999 Connect Savannah news magazine story titled “Peace, love & blessings…,” wrote of how I “found worldly consciousness in the heart of [my] hometown.” Her observation was surprisingly precise because during that period while living in Savannah, Georgia, I had indeed become more aware of my hometown on the global scale of things. I had also become more cognizant of myself as an author whose influences and inspirations tended often to derive from regions far beyond it.

However, expanded consciousness or not, there was no such thing as overlooking the profound thematic shift that occurred in the city’s history when Floyd Adams became its first African-American mayor in 1996. That event prompted the composition of these lines:

By way of an African wind
a letter came today.
It was not scribbled over
Hallmark fantasies or
popcultural postcards;
it was engraved on sweat-dyed scrolls
manufactured by centuries
of anguish, struggle, determination.
––from the poem A Letter Came Today (I Made My Boy Out of Poetry)

The thematic transition grew even more powerful in 2003 with the election of Otis Johnson as mayor of the city and in 2011 when Edna Branch Jackson won the office. Up until this point, too much of the story of African Americans in Savannah had been one of a people continuously oppressed and suppressed by history itself. Different industries (such as film) and individuals benefited economically from that history but Blacks native to the city have rarely done so to any significant degree.

The Re-Historicization of a Narrative

The elections of Adams, Johnson, and Jackson created a thematic evolution that has helped the city prepare for even more dramatic and culturally inclusive demographic shifts already in progress. Call it the re-historicization of a narrative that dates back at least to late 1800s Reconstruction.

Please enjoy the complete essay at this link: Source: The 2015 Bid for Power and History in Savannah (Georgia, USA) – Bright Skylark Literary Productions

When the Lyrical Muse Sings the Creative Pen Dances – Bright Skylark Literary Productions

If you’re a regular reader of my national African-American cultural arts column, you may have noticed that I have not been posting articles as frequently as I once did. The reason is simple enough. Having reached a certain point in the research for my current book-in-progress (at least one of them anyway) I had to reduce as many additional writing obligations as possible to fully concentrate on completion of the work.

For me, this is the part of authorship when the lyrical muse sings and the creative pen dances. The greater bulk of the more rigid tasks of verification and documentation have been satisfied, and imagination may be allowed to take over the processes of narrative construction. The resulting musical flow of image and language stamp the work with its own unique identity. And its own self-defined meanings destined to merge with different readers’ interpretations of the same.

The Writer and the Times

I started the national African-American cultural arts column on July 13, 2009, with a story about the debut of Johnny and Me, Savannah author Miriam K. Center’s play based on her friendship with the late 4-time Academy Award-winning composer Johnny Mercer. That was followed by a profile of acclaimed artist Jerome Meadows.

The next month, August, saw the launch of the controversial series on the trial (and eventual execution) of Troy Anthony Davis, convicted for the murder of Savannah policeman Mark Allen MacPhail.  Not writing about Davis’s trial, to my mind, would have been a case of gross negligence. Doing so was one early indication of what readers would discover over the next few years: basically, I found it impossible to restrict myself (as asked to do) to the subject of “the arts” as pertaining to African Americans.

Please check out the full post by clicking here: When the Lyrical Muse Sings the Creative Pen Dances – Bright Skylark Literary Productions

The Abbreviated Mind Faces ‘The King of Music’ Dilemma (part 1 of 2) – National African-American Art Examiner

Michael Jackson in the studio.

Michael Jackson in the studio. (Postered Poetics enhancement of pr release photo)

For those members of a given demographic made uneasy by the idea of eventually becoming just one more minority in America, an abbreviated mind taking note of the evolving dynamics could react with overwhelming fear. The carnage inflicted by Dylann Roof in Charleston, SC, just last month may be considered one such case. That demonstrated by the Norwegian Anders Behring Breivik in 2011 illustrates how analogous scenarios are playing out across the globe.

The idea and reality of losing previously-held political power and privileged authority based on racial domination could (some would say apparently does) encourage violence against those perceived of as a threat. Certainly the ongoing violence inflicted upon unarmed African-Americans by armed White-American policemen ––the latest most visible cases being that of Sandra Bland in Waller County, Texas, and Sam Dubose in Cincinnati, Ohio, does very little to suggest otherwise.

From the opposite end of the undulating spectrum, populations growing increasingly more powerful and reacting with abbreviated minds may, conceivably, develop a penchant for vindictive behavior. It is in fact wholly possible that the 2014 shooting death of Michael Brown in Ferguson, Missouri, and the choking death of Eric Garner in New York City, later followed by shootings of policemen described as “retaliatory,” are precise examples of the dynamics in question. Such scenarios, however, represent only a fraction of the kind of personal, local community, national, and global chaos that an abbreviated mind, especially when linked to intentional guerrilla decontextualization, can cause.

Periods of shifting demographics, along with the often overwhelming giant crashing waves of sudden historical events themselves, often create odd partnerships and dangerously extreme polarization. Fear of getting lost in the shuffle prompts many to abandon personal ethics for some semblance of security motivated by a heightened sense of raging and yet repressed anxiety.

To read the complete post by Aberjhani please click here
The abbreviated mind faces “The King of Music” dilemma (part 1 of 2) – National African-American Art | Examiner.com
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Michael Jackson One Theater production. Video interview with director Jamie King.

Let’s Fix It: 7 Steps to Help Replace Legislated Fear with Informed Compassion | Aberjhani Author-Poet-Literary-Consultant | LinkedIn

Protesters in Ferguson, Missouri, hold large banner containing the many names of individuals known to have been killed in confrontations with police. (Photo: Reuters)

Protesters in Ferguson, Missouri, hold large banner containing the many names of individuals known to have been killed in confrontations with police. (Photo: Reuters)

More than half the states in America (currently 33) have laws which allow one individual to take the life of another and get away with it simply by saying he or she feared the person represented an immediate danger to his or her life. That argument in recent years has been used in a number of high-profile cases where exactly who posed a danger to whom was not at all clear.

Nevertheless, in the end it has been an African American (usually unarmed) who lost his or her life to a White American (usually armed––in the case of Trayvon Martin’s death George Zimmerman’s biracial background is duly noted), creating an apparent trend. Even mainstream media with its upbeat pop culture delivery has found it impossible to ignore the increase in that trend and consequently joined the ranks of those shouting it is time to #FixIt.

In this particular case, fixing it means correcting the tendency to give fear authority over one’s actions when encountering those perceived of as “different.” Also, in this particular case, it means not exploding like a suicide bomber in the face of inevitable change and opting instead to invest in informed compassion toward one’s fellow human beings.

An Ominous Iceberg

Michael Brown in Ferguson, Missouri, and Kajieme Powell only a few miles from the same location, Renisha McBride just outside Detroit, Trayvon Martin in Sanford, Florida, Jordan Davis in Jacksonville, and Eric Garner in New York are but a fraction of the tip of a very ominous iceberg.

For the full article with list of recommendations please click the link:
Let’s Fix It: 7 Steps to Help Replace Legislated Fear with Informed Compassion | Aberjhani Author-Poet-Literary-Consultant | LinkedIn.

Notebook on Michael Brown, Kajieme Powell, and W.E.B. Du Bois (part 1 of 2)

“No one seems to think it significant that upon the policemen’s arrival Kajieme Powell possibly had reason to fear for his life and reacted in a manner consistent with his disability.” ––Article excerpt (Aberjhani)

“Democracy is not a gift of power, but a reservoir of knowledge.” –– from The Wisdom of W.E.B. Du Bois

The month of August happens to be one in which a number of notable events in African-American history, relatively recent in historical terms, have occurred. There are the birthdays of such celebrated individuals as author James Baldwin (Aug. 2), President Barack Obama (Aug. 4), and philanthropist and performing artist Michael Jackson (Aug. 29).

From this point forward, people shall also certainly recall August 9, 2014, as the day when 18-year-old’s Michael Brown’s death served to ignite a series of violent night-time protests eerily reminiscent of similar scenes from the 1960s. The chaos also functioned as yet one more reminder of how readily the lives of African-American men are deleted from this world by violence.

With the 2009 killing of 22-year-old Oscar Grant in Oakland, Calif., the 2011 execution of Savannah’s 42-year-old Troy Anthony Davis, the 2012 shooting of 17-year-old Trayvon Martin in Sanford, Florida, and the currently-pending case of 17-year-old Kendrick Johnson found dead in a rolled-up wrestling mat at his school in Lowndes County, Georgia, so fresh in recent memory, such a reminder was hardly necessary.

But there it painfully is. As Jaeah Lee reported in Mother Jones and others have written elsewhere, similar occurrences are far more frequent than many might imagine. This reality is nothing like advantageous diversity that many multiculturalists prefer to believe is possible for the United States. It also says much more about the cost of romanticizing faith in guns and violence than lawmakers and lobbyists seem willing to acknowledge.

To read the full special report article by Aberjhani please click here:
Notebook on Michael Brown, Kajieme Powell, and W.E.B. Du Bois part 1 of 2 – National African-American Art | Examiner.com.