News Release: 2018 Art Catalog Performance Surpasses Expectations

 

Expanded 1art Catalog News Graphic

Following the 2017 launch of his art catalog at Pixels.com and Fine Art America, content for the database of artwork titles by contemporary artist Aberjhani for sale online has more than doubled in 2018.

That news is notable because the catalog initially was intended to provide validation of the artist’s work as a writer, confirming his authorship of popular quotations by featuring them as the text for his Postered Chromatic Poetics products. However, responses to popular original photography, digital paintings, collages, and mixed media have inspired the creation of themed collections and individual prints. Among the most recent are “Suzannanian Algorithm Finger-Painted on an Abstract Wall” posters number 1 and 2, and “Harlem Renaissance Deja Vu Number 1.” These three items are also presented as commemorations of the Harlem Renaissance Centennial.

The Catalog So Far

Lovers of art and purchase agents for various businesses interested in keeping up with posts of new images by the artist can do so by subscribing to his Art-Notes Blog. Below is a list of brief snippets from and links to works currently available:

  1. Introduction to Artist behind Postered Chromatic Poetics
  2. Art-notes On All The Flowers We Meant To Give Each Other

Saturday, August 11, 2018, 11:34 AM

Use Discount Code GMKJUD for 15% OFF all Official Postered Chromatic Poetics artwork. “All the Flowers We Meant to Give Each Other” is a collage of photography, watercolor, digital painting, custom-designed matting, customized framing, and signature…

  1. Art-notes On Redbird Dreaming About Why Love Is Always Important

Saturday, August 11, 2018, 11:33 AM

“Redbird Dreaming about Why Love is Always Important” is a mixed media vertical-formatted work consisting of nature photography, layered oil, digital painting, …

4. Tribute To Survivors And Firefighters Battling Wildfires In California

Saturday, August 11, 2018, 11:33 AM

“Redbird Sifting Beauty out of Ashes” is the second print in the Redbird Series and my homage to those battling California’s historic wildfires of 2018. (Please …

Suzannian Algorithm Artnote 1 by Aberjhani

  1. Art-notes On Suzannian Algorithm Finger-painted On An Abstract Wall Number 1

Thursday, August 02, 2018, 10:29 AM

“Suzannian Algorithm Finger-Painted on an Abstract Wall Number 1” (which you can view by clicking the link at the bottom of this post) was inspired by conversations with the artist to whom it is dedicated: Suzanne Jackson. We discovered we both had …

  1. Art-notes On Suzannian Algorithm Finger-painted On An Abstract Wall Number 2

Thursday, August 02, 2018, 10:29 AM

I am profoundly grateful to the 3 women who modeled for “Suzannian Algorithm Finger-Painted on an Abstract Wall Number 2” (which you can view by clicking the link at the bottom of this post). Each is highly-accomplished in her own right and did not …

  1. Art-notes On Harlem Renaissance Deja Vu Number 1

Friday, July 20, 2018, 9:03 AM

The Harlem Renaissance is celebrated around the world as one of the most important cultural and political periods in African-American and American history. Next year, 2019, celebrations will get underway to mark the 100th anniversary of the Renaissance…

HarlemRen DejaVu Artby Aberjhani at Pixelsdotcom

  1. Art-notes On Song Of Love And Compassion

Friday, July 20, 2018, 8:59 AM

When I look at this artwork in its current form, I am reminded of the late art critic Bertha Husband’s description of the style and technique known as “real” painting. In her review of the ELEMENTAL Exhibit then on display at the Jepson Center for the…

  1. Art-notes On Lovers Dancing In The Golden Light Of Dawn

Friday, July 20, 2018, 8:56 AM

Lovers Dancing in the Golden Light of Dawn is one of those pieces I had to force myself to stop working on after years of experimenting with different ideas for it. A number of artists have told me about similar struggles deciding when to quit or …

  1. Art-notes On Flowers And Wings For Her Years And Tears

Friday, July 20, 2018, 8:51 AM

This print was almost titled Roses and Wings for Caring and Giving because of the subject which inspired it. Elderly matriarchs in most large southern families in America have traditionally been taken care of by younger female relatives when the time…

  1. Art-notes On Cultural Literacy For Lovers And Dreamers Number 1

Friday, July 20, 2018, 8:47 AM

This abstract print along with it corresponding piece, Cultural Literacy for Lovers amp Dreamers Number 2, was created out of recognition of the millions of people currently #seeking relief from war, starvation, terrorism, gun violence, drug addiction…

  1. Art-notes On Dare To Love Yourself Rainbow Poster 3rd Edition

Friday, July 20, 2018, 8:40 AM

Providers of some friendly feedback regarding the first two posters in my Official Dare to Love Yourself Series suggested that, for their specific tastes, the images were “pretty but kind’a tame.” I heard them well enough and for this third edition …

REDBIRD COLLECTION COVER ArtBy Aberjhani C2018

  1. Elemental Month Continues With Beautiful Irony

Friday, May 11, 2018, 10:57 AM

The current celebration of the 10th anniversary of ELEMENTAL, The Power of Illuminated Love, continues this week with the posting of two new print images: Portrait of the Poet as an Angel Drunk on Love, and, Black When Haitians Were Heroes in America…

  1. Thanks For All The Support

Monday, July 17, 2017, 12:41 PM

I have received a lot of encouragement from the great community at Fine Art America since joining a couple of months ago and today was notified about my first sale. It is for of a pack of Official Chromatic Poetics greeting cards titled Eugene Talmadge Memorial Bridge the Morning After Hurricane Matthew…

  1. Appreciating Beauty Of Magnificent Fountains Of The World

Monday, May 15, 2017, 1:24 PM

Fountains are among the most admired ornamental manmade structures because they combine the artistic beauty of refined sculpture with the precision of engineering and architecture. Celebrated examples can be found all over the world, including Savannah…

  1. Dare To Love Life On National Selfie Day And Always

Monday, May 15, 2017, 1:18 PM

The Dare to Love Yourself “movement” had nothing to do with National Selfie Day when it began to slowly develop ten years ago. The well-known quote–“Dare to love yourself as if you were a rainbow with gold at both ends.”– as many are now aware, …

  1. The Mysterious Wonder Of Birds And Winged Horses

Thursday, May 04, 2017, 9:55 AM

Who hasn’t at some point wished they could just fly off somewhere, like birds or other winged things, without dishing out cash for a ticket or becoming unwillingly intimate with pat-down procedures’ My homage to winged beings actually began a long time…

  1. Correcting Legacies Of Injustice

Thursday, May 04, 2017, 9:48 AM

One of the hardest questions posed by recent headlines in the U.S. has been: How do we come to terms in 2017 with legacies of an American past during which racism and other forms of social injustice were openly practiced’ It’s not a question that can…

  1. Expanded Perspectives On City Of Savannah, Georgia

Wednesday, April 26, 2017, 9:04 AM

I just added 3 images to a new FAA collection called Sojourns in Cosmopolitan Multicultural Savannah. Because the city is an odd mixture of diverse cultures framed within some intense southern history, the text provides a bit more background than…

  1. Art Plus Poetry Equals Amazing Magic Part Two

Tuesday, April 18, 2017, 12:32 PM

EDITORIAL NOTE: This is a continuation of the previous blog discussing changes in the publishing industry in regard to books of art and poetry. Publication of the ekphrastic art and poetry collection ELEMENTAL, the Power of Illuminated Love, proved …

  1. Art Plus Poetry Equals Amazing Magic Part One

Monday, April 17, 2017, 11:27 AM

Art and poetry have long functioned as a kind of team in my creative life. It is interesting at this point, while setting up the profile here on Fine Art America, to recall the different artists who have inspired me. I never intended to make attempts …

Bright Skylark News notes Aug 2018

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Dancing with David Bowie under the Serious Moonlight – Bright Skylark Literary Productions

David Bowie on 1983 set of LET’S DANCE video with dancers Terry Roberts (left) and Joelene King (center). (Photo from bowiedownunder.com originally published in 1983 Serious Moonlight Tour booklet)

Dance is a political strategy that says “yes” to life as opposed to the corporate and terroristic manipulations that so eagerly promote polarization and glorify violent entries into death. Simply put, that is one important reason David Bowie’s 1983 Let’s Dance video (directed by David Mallet) is one of my all-time favorites. Through its subtle acknowledgment of the plight of Aboriginals in Australia, the late great Bowie Jan 8, 1947 – Jan 10, 2016) made two very important statements:

The first statement is very similar to that made by Leonardo DiCaprio when accepting a 2016 Golden Globe Award for his performance in the movie Revenant. It is namely this: the lives of indigenous and “minority” people are something much more than hindrances to a given company’s or government’s preferred agenda. As such, colonizing them (something which can be done in many different ways: economically, politically, socially, etc) or marginalizing the same is not the “acceptable option” so many seem to believe it is.

For the complete post with photos and videos please click the Source: Dancing with David Bowie under the Serious Moonlight – Bright Skylark Literary Productions

Some Notes on the Colors of These Changing Times: Editorial with Poem


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poem poster art copyright by Aberjhani)

Given the horrendous white-versus-black-motivated massacre in Charleston, S.C., on June 17, the jubilant rainbow celebrations that broke out following the U.S. Supreme Court’s historic ruling legalizing same-sex marriage nation-wide on June 26, and increasing calls to cease flying the Confederate flag on government properties, colors have commanded a lot of attention during these changing times.

The hues celebrated the most of course on July 4 in the United States are red, white, and blue. Many like to believe they stand for freedom, justice, and the American way. Officially, however, according to the House of Representatives’ publication Our Flag, red stands for hardiness and valor, white represents purity and innocence, and blue symbolizes vigilance.

But long before the founding of America’s democratic republic, visual and literary artists have used colors to create realistic images of external environments as well as representations symbolizing psychic responses to those environments…

Please check out the complete post with video at this link:
Some notes on the colors of these changing times: Editorial with poem – National African-American Art | Examiner.com
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5 Eye-opening Books about Slavery in Savannah (part 1)

Georgia Historical Society marker citing
Georgia Historical Society marker citing “The Weeping Time,” a.k.a. the “Largest Slave Sale in Georgia History” held in Savannah.
(photo courtesy of Waymark)

Two of the most acclaimed movies of the past decade, 12 Years a Slave and Django Unchained, have focused on the degradation, inhumanity, and absurdity associated with slavery as it was once practiced in the United States. Those who are surprised by this film genre’s ability to continue to command the attention of audiences around the world might want to consider the fact that various forms of forced servitude are very real in 2015.

In addition, just as the year 2011 marked the 150th anniversary of the beginning of the American Civil War, 2015 commemorates the sesquicentennial of the war’s end. It is therefore also the official end of slavery in the United States and reason enough for movies that remind viewers why so many fought against it then and why so many, acknowledged or not, are doing so now. For all intended purposes, the precise date of the end of the Civil War was April 9, 1865, when General Robert E. Lee surrendered to Gen. Ulysses S. Grant in Virginia. Some, however, maintain it did not end until Confederal Gen. Edmund K. Smith’s concession on June 2, 1865.

A Functional Metaphor

Slavery as it was known in the past serves as a functional metaphor for the human trafficking that remains to be corrected in the present. Current estimates provided by the Walk Free Foundation place the estimated number of people enslaved across the globe at 35.8 million. The foundation has drawn some heat regarding the accuracy of this figure and how they derived at it. In its own defense, the organization’s website states the following:

“Measuring modern slavery is a very difficult undertaking due to the hidden nature of this crime. Surveys represent the most accurate method for estimating the numbers of people living in modern slavery…. Data from a total of 19 countries were obtained from random sample surveys, including the seven Gallup survey countries.”

Criticisms of methodological precision to the side, even the fact that organization members dispute an exact number of millions of people enslaved in modern-day times is something so incredulous that many prefer to pretend there are no real numbers at all.

For the TedTalks photography video on modern-day slavery and to read the complete essay by Aberjhani please click this link:
5 Eye-opening books about slavery in Savannah (part 1 of 2) – National African-American Art | Examiner.com.

Creative Flexibility and Annihilated Lives (essay with poem)

“The systematic looting of language can be recognized by the tendency of its users to forgo its nuanced, complex, mid-wifery properties for menace and subjugation. Oppressive language does more than represent violence; it is violence…”~Toni Morrison, 1993 Nobel Lecture in Literature

(This segment of Creative Flexibility and Annihilated Lives is published in partnership with Voices Compassion Education.)

Like many authors I dive headlong almost every day into a torrential flow of words sparkling with possibilities. I then work to extract from that linguistic flow a collective of sounds, imagery, ideas, and entire compositions capable of offering relevant reflections of the world experienced both inside and outside my own head. Such a mindful exercise in disciplined creative passion tends to focus my thoughts more on striking a balance between the unyielding clarity of prose and the seductive allusiveness of poetry than on the demands of managing a public image.

Because I give myself so wholly to the furious embrace of language on a regular basis, I rarely classify myself as a specific kind of writer. It is usually editors or readers who decide on my behalf whether I am more welcome in their world as an essayist, fiction-writer, historian, poet, or another breed of fever-driven scribbler. They provide the context in which a meeting of our minds may occur and share notes on specific facets of what it means to be in this world.

The differences between the various literary forms are obvious enough but it is not unusual for one genre, during a heated word-session, to flow at will into another. It happens much the way a dancing couple or individual might boogy-bounce nonstop from one song to the next––the rhythm calls and the soul answers.

Please continue reading the essay with poem by Aberjhani by clicking this link:
Creative Flexibility and Annihilated Lives (essay with poem) (article) by Aberjhani on AuthorsDen
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Maya Angelou, Elliot Rodger, and Getting the Work Done (part 2) – Bright Skylark Literary Productions

New book release: Journey through the Power of the Rainbow, Quotations from a Life Made Out of Poetry, by Aberjhani

“Death wins nothing here,
gnawing wings that amputate––
then spread, lift up, fly.”
–from Journey through the Power of the Rainbow,
Quotations from a Life Made Out of Poetry (Aberjhani)

 Continued from PART 1

Rodger told himself in particular that “women rejected” him and therefore deserved punishment while knowing nothing about these anonymous women’s personal realities. And most damning of all, the mental model on which he relied convinced him that destroying life was the only way to conquer life. The possibility that he might discover joy and live peacefully outside his extremely narrow conceptions seems to have never occurred to him.

I had undertaken the completion of Journey through the Power of the Rainbow in the first place partly to help individuals, in general, construct healthier perspectives for looking at and dealing with existence as we know it in the 21st century. Rodger’s deadly rampage was a vicious reminder––not that anybody required one with the civil disruptions in Ukraine and Syria still disturbing the collective peace–– that humanity itself still needs to “get the work done” when it comes to dismantling belief in violence as a solution to disagreements or disappointments.

For the full post by Aberjhani please click the link:
Maya Angelou, Elliot Rodger, and Getting the Work Done (part 2) – Bright Skylark Literary Productions
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King of Pop Michael Jackson and the World Community – The Journey and the Rainbow

          Michael Jackson with Spanish translation of quote from article by Aberjhani.
(graphic art poster courtesy of Facebook Group Blues Away)

The book Journey through the Power of the Rainbow, Quotations from a Life Made Out of Poetry, contains a full chapter of quotes on Michael Jackson as well as the short essay which follows. Anyone interested in winning a free copy of the book is encouraged to check out the Goodreads widget at the end of the essay.

At least part of worldwide reading audiences’ growing familiarity with my work has to be attributed to the late “King of Pop” Michael Jackson. Although I started writing about Mr. Jackson’s life and legacy after in his death in 2009, I did not understand just how many people around the world had been taking note of those writings. Then it was brought to my attention that several full articles had turned up on multiple websites in the form of unauthorized translations into German, Italian, French, Spanish, Greek, Portuguese, and other languages. Given the ease with which Internet technology makes it possible to accomplish such linguistic feats––precision of the translation notwithstanding––I told myself it had been inevitable.

Technological ease was only part of the reason. Another very significant part was what I had sensed myself and what author and Minister Barbara Kaufmann had identified as the “spiritual emergency” into which Jackson’s fans around the globe had found themselves plunged upon his death. They had discovered little to no consolation within a mainstream media and sideline tabloid press that continued to employ guerrilla decontextualization to sensationalize and capitalize off distortions of the megastar’s image even as the worldwide community he left behind flailed about in a tsunami of unrelenting grief. 

Please enjoy the full post by Aberjhani at this link:

King of Pop Michael Jackson and the World Community – The Journey and the Rainbow.