King of Pop Michael Jackson and the World Community – The Journey and the Rainbow

          Michael Jackson with Spanish translation of quote from article by Aberjhani.
(graphic art poster courtesy of Facebook Group Blues Away)

The book Journey through the Power of the Rainbow, Quotations from a Life Made Out of Poetry, contains a full chapter of quotes on Michael Jackson as well as the short essay which follows. Anyone interested in winning a free copy of the book is encouraged to check out the Goodreads widget at the end of the essay.

At least part of worldwide reading audiences’ growing familiarity with my work has to be attributed to the late “King of Pop” Michael Jackson. Although I started writing about Mr. Jackson’s life and legacy after in his death in 2009, I did not understand just how many people around the world had been taking note of those writings. Then it was brought to my attention that several full articles had turned up on multiple websites in the form of unauthorized translations into German, Italian, French, Spanish, Greek, Portuguese, and other languages. Given the ease with which Internet technology makes it possible to accomplish such linguistic feats––precision of the translation notwithstanding––I told myself it had been inevitable.

Technological ease was only part of the reason. Another very significant part was what I had sensed myself and what author and Minister Barbara Kaufmann had identified as the “spiritual emergency” into which Jackson’s fans around the globe had found themselves plunged upon his death. They had discovered little to no consolation within a mainstream media and sideline tabloid press that continued to employ guerrilla decontextualization to sensationalize and capitalize off distortions of the megastar’s image even as the worldwide community he left behind flailed about in a tsunami of unrelenting grief. 

Please enjoy the full post by Aberjhani at this link:

King of Pop Michael Jackson and the World Community – The Journey and the Rainbow.

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Calligraphy of Intimacy: World Poetry Day 2014 – Bright Skylark Literary Productions

Mixed media digital art construction by Jaanika Talts.
Untitled Photographed Painting by Jaanika Talts shared by the artist on Facebook.(All rights reserved by the artist)

One need not, after all, call oneself an artist in order to embrace either the beauty that roses give to the world or the genius that one’s love does. (Aberjhani)

I. ENCOUNTER WITH BEAUTY

When viewing a recent untitled painting by Dublin artist Jaanika Talts a strange thought came to me. It was this: Between the elegant reach of an artist’s color-stained fingers toward her canvas and the haunted explosion of a soldier’s bullet inside his brother’s chest, somewhere a terrified soul is seeking shelter inside the warmth of a stranger’s voice, or an infant is squealing at the incomprehensible delight of discovering it is alive.

As I said, it was a strange thought.

Talts’ painting depicts a cluster of multi-colored roses in different stages of blossoming, nestled against the flesh of dark green leaves and framed by deep brooding shades of emerald, bronze, gold, ruby, and amethyst. There is no description of the medium but it appears to be mixed acrylic and might include photography as well as an actual rose or two.

The painting caught my attention only partly because it was accompanied by this quote: “Beauty will snatch us by the heart and love us until we are raw with understanding.” The words come from the poem “Calligraphy of Intimacy,” first published in 1996 in a small press magazine called Out of the Blue and later in the book I Made My Boy Out of Poetry. But the image drew my gaze mostly because it was something new from Ms. Talts and then because of what struck me as a sustained tension between persistent beauty and grace asserting itself while under fire. 

II. THE POEM

The poem “Calligraphy of Intimacy” is about how relationships anchored in mutual need and affection sometimes turn unexpectedly into battlefields. The relationship might be between two people or two nations, two dreams or two cultures. At their core, they are defined by a gravitational pull toward the best within each other but superficial externals repeatedly block or sever their connection.  That could, in many ways, describe the international community’s centuries-year-old waltz with peace and non-peace, and it consequently makes this poem a good one to share for World Poetry Day (March 21) and National Poetry Month (April) 2014:

Please click the link to enjoy the entire post and poem by Aberjhani:
Calligraphy of Intimacy: World Poetry Day 2014 – Bright Skylark Literary Productions.

Sensualized transcendence: Editorial and poem on the art of Jaanika Talts (pt 1) – National African-American Art | Examiner.com

                                 (Images still from the video-poem “I Am Not a Child of Despair”) 

Consider Jaanika Talts of Dublin, Ireland, one of those contemporary visual artists empowered by an instinct for classic literary style. As she puts it, “I mostly paint when I feel like I need to write a book (and it happens often) but painting my thoughts and stories on the canvas is so much easier for me.”

Visitors to Talts’ Facebook timeline can see for themselves that the literary company she keeps is one of cross-culture diversity.  A range of quotes from such powerhouses as African-American authors Maya Angelou and Toni Morrison to Canada’s as well as Sri Lanka’s Michael Ondaatje and famed American diarist Anais Nin (1903-1977) help to introduce and interpret her generously-shared art. The same literary sensibility is apparent in her 2013 calendar, Camouflages. In it, she quotes the following from English novelist D.H. Lawrence (1885-1930):

“A woman unsatisfied must have luxuries. But a woman who loves a man would sleep on a board.”

And this by American author Cate Tiernan: “Fire is a fragile lover, court her well, neglect her not; her faith is like a misty smoke, her anger is destructive hot.”

Now is a particularly good time for those not already familiar with Talts’ captivating creations to acquaint themselves with her artistry. One reason for doing so is because she is based in Ireland and this is St. Patrick’s Day weekend. Another reason is because this is also Women’s History Month and therefore an appropriate time to acknowledge the endeavors of women artists who themselves are potential history makers.

Enjoy this article by Aberjhani in its entirety by clicking this link:

Sensualized transcendence: Editorial and poem on the art of Jaanika Talts (pt 1) – National African-American Art | Examiner.com.

By Aberjhani: As Egypt Howls and History Tweets

Egyptian citizens protest social and political conditions in Egypt. (photo by Getty Images)

The quote “Power corrupts and absolute power corrupts absolutely” is a well-known one attributed to the British historian Lord Acton (nineteenth century). What is rarely discussed after someone quotes these words are the different ways that power can and does corrupt.

The assumption is that too much power diminishes an individual’s capacity or inclination to render “good works” on behalf of others. At the same time, it increases his or her capacity or inclination to generate malice in the world.

When watching TV reports and reading Internet posts about Egyptian President Hosni Mubarak’s attempt to stand down protesters calling for his removal, the 82-year-old does not come across as someone whom power has enticed to consciously wreak havoc in the lives of people he claims to love and serve. Writing from this distance of many miles across the Atlantic Ocean, it seems more as if power has convinced him that he is doing the one most important thing he can do on behalf of his country by struggling to hold on to a position he has occupied for nearly 30 years. But from the images of people weeping, dying, and shouting in the streets of Cairo, Alexandria, Mansoura, and Aswan, it is clear that history is begging—and in many cases tweeting–– to differ.

Chaos or Revolution?
To continue reading please click this link:
As Egypt howls and history tweets – National African-American Art | Examiner.com.

by Aberjhani
© January 2011