Songs from the Black Skylark zPed Music Player Pump up the Volume 

Songs from the Black Skylark zPed Music Player mythopoeic speculative fiction novel by Aberjhani.

There is some basis for describing Songs from the Black Skylark zPed Music Player as a southern Gothic rock and roll murder mystery. Yet there may be more reasons to consider it a mythopoeic love story in the mode of classic tales where heroes, and anti-heroes, attempt to challenge powers far greater than their own for the sake of reclaiming love stolen by tragedy.

The theme is also true of stories from fact-based history (including current history) wherein members of families torn apart by war or slavery have found themselves battling overwhelming odds and risking what remains of their lives to reconnect with their loved ones.

This is currently a free edition of the mythopoeic paranormal novel recounting the attempts of one Danny Blue to come to terms with a series of unusual events in his life. You can check out the book page and link to the streaming text here: Songs from the Black Skylark zPed Music Player (book) by Aberjhani on AuthorsDen

When the Lyrical Muse Sings the Creative Pen Dances – Bright Skylark Literary Productions

If you’re a regular reader of my national African-American cultural arts column, you may have noticed that I have not been posting articles as frequently as I once did. The reason is simple enough. Having reached a certain point in the research for my current book-in-progress (at least one of them anyway) I had to reduce as many additional writing obligations as possible to fully concentrate on completion of the work.

For me, this is the part of authorship when the lyrical muse sings and the creative pen dances. The greater bulk of the more rigid tasks of verification and documentation have been satisfied, and imagination may be allowed to take over the processes of narrative construction. The resulting musical flow of image and language stamp the work with its own unique identity. And its own self-defined meanings destined to merge with different readers’ interpretations of the same.

The Writer and the Times

I started the national African-American cultural arts column on July 13, 2009, with a story about the debut of Johnny and Me, Savannah author Miriam K. Center’s play based on her friendship with the late 4-time Academy Award-winning composer Johnny Mercer. That was followed by a profile of acclaimed artist Jerome Meadows.

The next month, August, saw the launch of the controversial series on the trial (and eventual execution) of Troy Anthony Davis, convicted for the murder of Savannah policeman Mark Allen MacPhail.  Not writing about Davis’s trial, to my mind, would have been a case of gross negligence. Doing so was one early indication of what readers would discover over the next few years: basically, I found it impossible to restrict myself (as asked to do) to the subject of “the arts” as pertaining to African Americans.

Please check out the full post by clicking here: When the Lyrical Muse Sings the Creative Pen Dances – Bright Skylark Literary Productions

Red Summer: Text and meaning in Claude McKay’s “If We Must Die” (part 1 of 4)

The summer of 2015 marks the 96th anniversary of the publication of Harlem Renaissance poet Claude McKay’s masterful poem, “If We Must Die.” This essay is presented in commemoration of that literary milestone and in remembrance of the extraordinary Red Summer of 1919 that inspired it.

There were many good reasons to believe America had entered––or at least was about to enter––a golden era of post-racialism following the election of Barack Obama in 2008. Among them was the election of the country’s first African-American president itself, an increasingly diverse American population, and a sociopolitical landscape made more democratic (in appearance at least) by the various influences of technological innovation.

Unfortunately, none of those good noble reasons were able to withstand the onslaught of reality as the number of hate groups in the country began to increase almost immediately, even while the Black prison population and Black unemployment rates continued to do the same. In a word, the country was nowhere near “there” yet.

Red Summers of Yesterday and Today

The growing number of cities where protest demonstrations have occurred over the past few years in response to extreme uses of force by policemen against African Americans, and the very oppressive conditions under which many African Americans continue to live, is eerily similar to another riot-filled time in U.S. history. The period which might first come to mind for most people is the 1960s, a decade in which “race riots” flared up every other year in places such as Greensboro, N.C. (1960), Los Angeles (Watts), Calif. (1964), Detroit, Michigan (1967), and Baltimore (1968).

However, the historical moment which possibly resembles the current intense state of racial affairs the most is that of the period leading up to the Red Summer of 1919. As pointed out in Facts on File’s Encyclopedia of the Harlem Renaissance:

To enjoy this complete article by Aberjhani with accompanying video please click below:

Red Summer: Text and meaning in Claude McKay’s “If We Must Die” (part 1 of 4) – National African-American Art | Examiner.com.

Rainbow-Song for The Angel of Tao: A Graphic-Art Poem by Aberjhani

Rainbow-Song for the Angel of Tao poetry art panel No. 2 by Aberjhani
(Art panel No. 2 Rainbow-Song for the Angel of Tao copyright by Aberjhani.)

“Rainbow-Song for the Angel of Tao” is not typical so far as poems posted in celebration of National Poetry Month go. The 3 stanzas of the poem are described as verses and each one has a corresponding art panel created by the poet.

The visual panels and the text stanzas are mirror images of each other reflected in different mediums. That means they reveal different aspects of one another, like the light the art panels reflecting the forms behind the words; and the rhythm of the text echoing the harmony of the light. Definitely a National Poetry Month kind of thing: Rainbow-Song: The Angel of Tao. A Graphic Poem by Aberjhani.

5 Eye-opening Books about Slavery in Savannah (part 1)

Georgia Historical Society marker citing
Georgia Historical Society marker citing “The Weeping Time,” a.k.a. the “Largest Slave Sale in Georgia History” held in Savannah.
(photo courtesy of Waymark)

Two of the most acclaimed movies of the past decade, 12 Years a Slave and Django Unchained, have focused on the degradation, inhumanity, and absurdity associated with slavery as it was once practiced in the United States. Those who are surprised by this film genre’s ability to continue to command the attention of audiences around the world might want to consider the fact that various forms of forced servitude are very real in 2015.

In addition, just as the year 2011 marked the 150th anniversary of the beginning of the American Civil War, 2015 commemorates the sesquicentennial of the war’s end. It is therefore also the official end of slavery in the United States and reason enough for movies that remind viewers why so many fought against it then and why so many, acknowledged or not, are doing so now. For all intended purposes, the precise date of the end of the Civil War was April 9, 1865, when General Robert E. Lee surrendered to Gen. Ulysses S. Grant in Virginia. Some, however, maintain it did not end until Confederal Gen. Edmund K. Smith’s concession on June 2, 1865.

A Functional Metaphor

Slavery as it was known in the past serves as a functional metaphor for the human trafficking that remains to be corrected in the present. Current estimates provided by the Walk Free Foundation place the estimated number of people enslaved across the globe at 35.8 million. The foundation has drawn some heat regarding the accuracy of this figure and how they derived at it. In its own defense, the organization’s website states the following:

“Measuring modern slavery is a very difficult undertaking due to the hidden nature of this crime. Surveys represent the most accurate method for estimating the numbers of people living in modern slavery…. Data from a total of 19 countries were obtained from random sample surveys, including the seven Gallup survey countries.”

Criticisms of methodological precision to the side, even the fact that organization members dispute an exact number of millions of people enslaved in modern-day times is something so incredulous that many prefer to pretend there are no real numbers at all.

For the TedTalks photography video on modern-day slavery and to read the complete essay by Aberjhani please click this link:
5 Eye-opening books about slavery in Savannah (part 1 of 2) – National African-American Art | Examiner.com.

‘Tis the Season for the Magic of Poetry: Black Gold | Aberjhani Author-Poet-Literary-Consultant | LinkedIn

'Tis the Season for the Magic of Poetry: Black Gold | Aberjhani Author-Poet-Literary-Consultant | LinkedIn
Cover of new anthology: Black Gold, edited by Ja A. Jahannes.

When contemplating such issues as the current protests against the trend of white policemen killing unarmed black men (or boys in the case of 12-year-old Tamir Rice) and the unceasing escalation of war and terrorism across the globe, some might consider poetry an insignificant subject to address as the year 2015 approaches. Others, however, might contend that just like black lives in the past, present, and future–– poetry matters, enough in fact to be placed among Big Ideas 2015 .

One important reason poetry matters is because it often helps to expand humanity’s capacity for putting brutal and sublime experiences alike into usable, meaningful, contexts. What may be the oldest known Christmas poem, A Visit from Saint Nicholas (often referred to as “Twas the Night Before Christmas”) was first published anonymously on December 23, 1823, and later attributed to Clement Clark Moore. The year was a relatively peaceful one compared to the year before and that which followed. The poem, then, in addition to celebrating the holiday spirit of giving, could have been the poet’s way of affirming grace in a world too often overrun by grief.

Black Gold

The forthcoming poetry anthology entitled Black Gold, edited by playwright and composer Ja A. Jahannes, is not a collection of holiday verse. But it does offer a powerful counterbalance to the current mainstream images documenting what it does or does not mean to be a person of African or Latin descent in these still-early years of the 21st century.

With its mixture of multigenerational, gender inclusive, and intercontinental voices, Black Gold in some ways accomplishes through poetry what various government, educational, and community institutions have not. That is to say it successfully replicates the principle of unity, or Umoja, which many celebrate on the first day of Kwanzaa (December) and then generally ignore throughout the rest of the year. This should not be taken to mean the poets presented in the book are without their own brand of diversity.

To check out the full post with video and quotes please click the link:

‘Tis the Season for the Magic of Poetry: Black Gold | Aberjhani Author-Poet-Literary-Consultant | LinkedIn.

How Creativity and Social Responsibility Inspired 5 Memorable Moments | Aberjhani Author-Poet-Literary-Consultant | LinkedIn


Rainbows introduce us to reflections
of different beautiful possibilities
so we never forget that pain and grief
are not the final options in life.

Aberjhani

Measuring the success of a given year by the percentage of profits gained or lost is a sensible enough practice for many individuals and an essential one for various organizations. However, I decided going into 2014 that I wanted to commit time throughout the year to finding ways that creatively honored the concept of mutually-empowering and life-enhancing partnerships. The goal was to combine as much as possible measures of social responsibility with different types of creative endeavors.

Why such an intensely-focused approach? Because the still-straggling uncertainty of the economy, the domestic gun violence that broke America’s collectively-beating heart nearly every other week, and rising waves of conflict on the global front made it far too easy to succumb to such dispositions as cynicism, nihilism, and actions motivated by anything other than an ethical perspective.

Since partnerships, or relationships, by definition require interaction with more than just oneself, not every effort was as successful as I might have hoped. Certainly not all would top a list of favorite #My2014Moments even when proving what some might describe as “profitable.” Still, others resulted in beneficial reconnections with previous colleagues and some produced thrilling adventures in formerly unexplored territories.

5 Memorable Moments

1. Taking a Stand for Compassion: Toward the end of the year 2013 I promised to sign the Charter for Compassion on the first day of 2014. That affirmation so far has not impressed groups such as ISIL, Boko Haram, the Taliban, or Al-Qaida to revise their habits of employing guerrilla decontextualization to misrepresent a major religion and justify heinous actions against noncombatant civilians. It did, though, prompt me to write three of my stronger articles in 2014 on the world’s attempts to reconcile chaos with sanity:

To check out the full list please click this link:
How Creativity and Social Responsibility Inspired 5 Memorable Moments in 2014

by Aberjhani