PRESS RELEASE: Summer 2018 kicks off with ‘Blossoms of Nonviolent Conflict Resolution’

Two new releases by Postered Chromatic Poetics creator Aberjhani made their debut on Pixels.com and at Fine Art America as part of May’s ELEMENTAL Month celebration, a third work of art posted June 14, and three more were released June 18. The new releases along with the artist’s entire online catalogue are now offered at 25% off with the use of Discount Code EXLTBU until July, 4, 2018, as part the Summer 2018 “Blossoms of Nonviolent Conflict Resolution” event.

The event takes its name, “Blossoms of Nonviolent Conflict Resolution,” from one of the new works slated for release June 18. The works released in May plus previews of those scheduled to go on sale next week show the author-poet-artist moving in some new directions with visual explorations of night-time urbanscapes, family life, and possibly most surprisingly a trio of abstract works.

Discount Code EXLTBU artsale2018 25 percent offThe page description for the digital painting titled  “Flowers and Wings for Her Tears and Years” states that it is a homage to caregivers. On his Facebook profile, the artist shared that the image was “modeled after a series of pictures taken by my friend, photographer and catalyst-counselor John Zeuli, an uncommonly beautiful soul who did me the honor of photographing me for a gallery of works featuring fellow poet Coleman Barks (celebrated foremost interpreter of works by Jalal al-Din) and others.”

His night-time urbanscape, titled “Moon on Fire over Downtown Savannah” represents a departure from previous depictions of the historic city while further verifying the uncanny mystique that draws millions of tourists to it every year. (The current National Beta Club Convention being held in Savannah is only one example.)

The mixed media digital painting “Of Time and the Savannah River Bridge” is an obvious type of departure in terms of the style employed. But it also shows the artist expanding his public commentary via art –as he did with the popular print “Savannah River Bridge the Morning After Hurricane Matthew No. 2”–on the controversial name of the Eugene Talmadge Memorial Bridge. The text for his collection of bridge images reads as follows:

“There is no ignoring the many social justice calls for renaming the Eugene Talmadge Memorial Bridge so its nomenclature better reflects our changing more inclusive modern times. A lot of dedicated mindful people are working hard to make that happen. But that doesn’t mean we have to wait to celebrate the aesthetic triumph and majestic beauty of the bridge itself.”

The artist further proposed some of the new canvases are, “like painted prayers offered on behalf of all those millions of people in the world today so desperately on the run from one country to another, or one history to another, trying to save their own lives and the lives of people they love. I’m also reminded of the too-many victims of gun violence in schools and homes. Our fellow human beings endure so much horror and yet through their faith and courage and sometimes triumphs, they gift us with amazing inspiring beauty.”

A number of the new images already unveiled have featured on the front pages of several groups at Fine Art America, including: Beauty in Art, Contemporary,  Social Justice Awareness and Unity, and Digital Art.

–Bright Skylark News Notes

Advertisements

Songs from the Black Skylark zPed Music Player Pump up the Volume 

Songs from the Black Skylark zPed Music Player mythopoeic speculative fiction novel by Aberjhani.

There is some basis for describing Songs from the Black Skylark zPed Music Player as a southern Gothic rock and roll murder mystery. Yet there may be more reasons to consider it a mythopoeic love story in the mode of classic tales where heroes, and anti-heroes, attempt to challenge powers far greater than their own for the sake of reclaiming love stolen by tragedy.

The theme is also true of stories from fact-based history (including current history) wherein members of families torn apart by war or slavery have found themselves battling overwhelming odds and risking what remains of their lives to reconnect with their loved ones.

This is currently a free edition of the mythopoeic paranormal novel recounting the attempts of one Danny Blue to come to terms with a series of unusual events in his life. You can check out the book page and link to the streaming text here: Songs from the Black Skylark zPed Music Player (book) by Aberjhani on AuthorsDen

Dancing with David Bowie under the Serious Moonlight – Bright Skylark Literary Productions

David Bowie on 1983 set of LET’S DANCE video with dancers Terry Roberts (left) and Joelene King (center). (Photo from bowiedownunder.com originally published in 1983 Serious Moonlight Tour booklet)

Dance is a political strategy that says “yes” to life as opposed to the corporate and terroristic manipulations that so eagerly promote polarization and glorify violent entries into death. Simply put, that is one important reason David Bowie’s 1983 Let’s Dance video (directed by David Mallet) is one of my all-time favorites. Through its subtle acknowledgment of the plight of Aboriginals in Australia, the late great Bowie Jan 8, 1947 – Jan 10, 2016) made two very important statements:

The first statement is very similar to that made by Leonardo DiCaprio when accepting a 2016 Golden Globe Award for his performance in the movie Revenant. It is namely this: the lives of indigenous and “minority” people are something much more than hindrances to a given company’s or government’s preferred agenda. As such, colonizing them (something which can be done in many different ways: economically, politically, socially, etc) or marginalizing the same is not the “acceptable option” so many seem to believe it is.

For the complete post with photos and videos please click the Source: Dancing with David Bowie under the Serious Moonlight – Bright Skylark Literary Productions

Many Inspired by Amazing Grace of Young Brotherhood Advocate Semaj Clark

Advocate for brotherhood Semaj Clark giving thumbs Up GoFundSemajBrotherhood ambassador and advocate for nonviolent conflict resolution Semaj Clark. (photo courtesy of Gofundme)

The cost of the public health crisis of gun violence in America grows more expensive by the day. It has surpassed even the mega-millions of dollars that gun advocates such as members of the National Rifle Association casually spend to counter efforts to implement the most basic sensible forms of responsible gun legislation.

The greater cost is in that of lives lost or irreparably damaged. Sometimes the damage takes the form of psychological trauma experienced by those who have lost loved ones to the violence and for whom monetary compensation does nothing to ease their inconsolable grief. Recent reports on an attempt by Gloria Darden, mother of the late Freddie Gray, to commit suicide, underscores that point. Moreover, it represents only one example.

What happened to Semaj Clark when he chose to speak out against the violence he saw destroying too many young lives represents another deeply troubling instance. Yet his story is one which this compelling millennial crusader for brotherhood refuses to allow to be defined by the word “tragedy.” Considering what doctors have said about the likely results of the gun violence inflicted upon Semaj, his amazing grace is truly inspiring.

To learn about Semaj Clark’s extraordinary story please click the link below:

Millennial on a Mission to Promote Brotherhood

Aberjhani

When the Lyrical Muse Sings the Creative Pen Dances – Bright Skylark Literary Productions

If you’re a regular reader of my national African-American cultural arts column, you may have noticed that I have not been posting articles as frequently as I once did. The reason is simple enough. Having reached a certain point in the research for my current book-in-progress (at least one of them anyway) I had to reduce as many additional writing obligations as possible to fully concentrate on completion of the work.

For me, this is the part of authorship when the lyrical muse sings and the creative pen dances. The greater bulk of the more rigid tasks of verification and documentation have been satisfied, and imagination may be allowed to take over the processes of narrative construction. The resulting musical flow of image and language stamp the work with its own unique identity. And its own self-defined meanings destined to merge with different readers’ interpretations of the same.

The Writer and the Times

I started the national African-American cultural arts column on July 13, 2009, with a story about the debut of Johnny and Me, Savannah author Miriam K. Center’s play based on her friendship with the late 4-time Academy Award-winning composer Johnny Mercer. That was followed by a profile of acclaimed artist Jerome Meadows.

The next month, August, saw the launch of the controversial series on the trial (and eventual execution) of Troy Anthony Davis, convicted for the murder of Savannah policeman Mark Allen MacPhail.  Not writing about Davis’s trial, to my mind, would have been a case of gross negligence. Doing so was one early indication of what readers would discover over the next few years: basically, I found it impossible to restrict myself (as asked to do) to the subject of “the arts” as pertaining to African Americans.

Please check out the full post by clicking here: When the Lyrical Muse Sings the Creative Pen Dances – Bright Skylark Literary Productions

5 Ways to be Geniuses Together: Celebrating Ja Jahannes

Quote by Ja A. Jahannes with art graphic by Postered Poetics and Aberjhani.
“Unless we learn” quote by Ja A. Jahannes (with art graphic by Postered Poetics)

One self-penned definition of the word genius is: a focused intensification of individual intelligence resulting in works of exemplary creativity, visionary leadership, or uncommon spiritual depth and beauty. This definition is perhaps a fitting one to describe much of the life and legacy of Rev. Dr. Ja A. Jahannes, who was born August 25, 1942. in Baltimore, Maryland, and died in Savannah, Georgia, on July 5, 2015.

As recently as April 28, Jahannes (as he was known to many of his friends) had started a new blog in which he stated his intentions as follows:

“This is the beginning of me putting my thoughts, observations, queries, photos and insights in one place for present, current, and past generations (it could happen…time travel) to read and witness that I made some small, if not minuscule, contribution to Planet Sol-3.”

Unfortunately, battles with illness and the drive to continuously produce creative works did not leave much time or energy for the planned blog entries. That does not, however, mean there was or is anything at all “minuscule” about the contributions Jahannes managed to make to the world community before leaving it. Proof of that statement may be found in the announcement that his latest play, “Thought My Soul Would Rise and Fly,” will be performed July 26, 2015, at the Jewish Educational Alliance in Savannah.

Indeed, anyone even vaguely acquainted with his name find themselves astonished when learning about his prodigious output as a veteran of the U.S. Air Force, an educator, minister, proud alumnus of Lincoln University (Pennsylvania), composer, playwright, poet, novelist, essayist, photographer, family man, community leader, publisher, and public intellectual.

Please enjoy the complete article by clicking here:
5 Ways to be geniuses together: Celebrating Ja Jahannes (part 1 of 3: the man) – National African-American Art | Examiner.com.

Some Notes on the Colors of These Changing Times: Editorial with Poem


(
poem poster art copyright by Aberjhani)

Given the horrendous white-versus-black-motivated massacre in Charleston, S.C., on June 17, the jubilant rainbow celebrations that broke out following the U.S. Supreme Court’s historic ruling legalizing same-sex marriage nation-wide on June 26, and increasing calls to cease flying the Confederate flag on government properties, colors have commanded a lot of attention during these changing times.

The hues celebrated the most of course on July 4 in the United States are red, white, and blue. Many like to believe they stand for freedom, justice, and the American way. Officially, however, according to the House of Representatives’ publication Our Flag, red stands for hardiness and valor, white represents purity and innocence, and blue symbolizes vigilance.

But long before the founding of America’s democratic republic, visual and literary artists have used colors to create realistic images of external environments as well as representations symbolizing psychic responses to those environments…

Please check out the complete post with video at this link:
Some notes on the colors of these changing times: Editorial with poem – National African-American Art | Examiner.com
.