Two new releases by Postered Chromatic Poetics creator Aberjhani made their debut on Pixels.com and at Fine Art America as part of May’s ELEMENTAL Month celebration, a third work of art posted June 14, and three more were released June 18. The new releases along with the artist’s entire online catalogue are now offered at 25% off with the use of Discount Code EXLTBU until July, 4, 2018, as part the Summer 2018 “Blossoms of Nonviolent Conflict Resolution” event.
The event takes its name, “Blossoms of Nonviolent Conflict Resolution,” from one of the new works slated for release June 18. The works released in May plus previews of those scheduled to go on sale next week show the author-poet-artist moving in some new directions with visual explorations of night-time urbanscapes, family life, and possibly most surprisingly a trio of abstract works.
The page description for the digital painting titled “Flowers and Wings for Her Tears and Years” states that it is a homage to caregivers. On his Facebook profile, the artist shared that the image was “modeled after a series of pictures taken by my friend, photographer and catalyst-counselor John Zeuli, an uncommonly beautiful soul who did me the honor of photographing me for a gallery of works featuring fellow poet Coleman Barks (celebrated foremost interpreter of works by Jalal al-Din) and others.”
His night-time urbanscape, titled “Moon on Fire over Downtown Savannah” represents a departure from previous depictions of the historic city while further verifying the uncanny mystique that draws millions of tourists to it every year. (The current National Beta Club Convention being held in Savannah is only one example.)
The mixed media digital painting “Of Time and the Savannah River Bridge” is an obvious type of departure in terms of the style employed. But it also shows the artist expanding his public commentary via art –as he did with the popular print “Savannah River Bridge the Morning After Hurricane Matthew No. 2”–on the controversial name of the Eugene Talmadge Memorial Bridge. The text for his collection of bridge images reads as follows:
“There is no ignoring the many social justice calls for renaming the Eugene Talmadge Memorial Bridge so its nomenclature better reflects our changing more inclusive modern times. A lot of dedicated mindful people are working hard to make that happen. But that doesn’t mean we have to wait to celebrate the aesthetic triumph and majestic beauty of the bridge itself.”
The artist further proposed some of the new canvases are, “like painted prayers offered on behalf of all those millions of people in the world today so desperately on the run from one country to another, or one history to another, trying to save their own lives and the lives of people they love. I’m also reminded of the too-many victims of gun violence in schools and homes. Our fellow human beings endure so much horror and yet through their faith and courage and sometimes triumphs, they gift us with amazing inspiring beauty.”
A number of the new images already unveiled have featured on the front pages of several groups at Fine Art America, including: Beauty in Art, Contemporary, Social Justice Awareness and Unity, and Digital Art.
–Bright Skylark News Notes