(PEN International World Association of Writers logo)
The PEN American Center turned all of 90 years old in 2012 and recently decided to give itself a very useful digital facelift. With such cases like that of the Qatari poet Mohammed Ibn al-Dheeb al-Ajami, Iranian lawyer Nasrin Sotoudeh, and Ethiopian journalist Eskinder Nega still rocking international headlines, the PEN American Center’s mission in conjunction with PEN international ––to defend the right to freedom of expression and promote the values of literature and literacy––has never been more valuable than right now.
As much as I’m enjoying its swagging new style, the upgrade came with a price to which I, and other authors who maintained blogs on the site, now have to adapt. My primary reason for joining PEN American Center last year was to participate in and contribute to the legacy of literary camaraderie first established by C A. Dawson Scott and John Galsworthy––and then later sustained by such luminous literati as H.G. Wells, Willa Cather, Richard Wright, Arthur Miller, Mario Vargas Llosa, Salman Rushdie, Toni Morrison, and many others.
But I also joined to provide an online home for two important series launched last year: Paradigm Dancing and Guerilla Decontextualization. Housing the series at PEN American Center is no longer possible. Most of the articles from the series are still available as part of my Examiner column but I will have to decide on a new home custom-designed for them outside that location. To those who have been visiting the page on PEN to check them out: please accept my apologies for the unexpected interruption.
Please click to read the full post by Aberjhani: